Who is Rocket Llama? "The world's oldest webcomic - since 1916." Tongue-in-cheek tales of a high-flying llama, a sword-swinging cat, and a rocket as loyal as a cowboy hero's horse. With time traveling cavedogs, a persnickety penguin, and surprise parodies of Star Wars, The Lord of the Rings, and more. Creators have presented their work at Internation Comic-Con Comicon International in San Diego, California, with Danny Fingeroth (The Amazing Spider-Man, Dazzler, Superman on the Couch, Disguised as Clark Kent), and WonderCon Wonder-Con in San Francisco, California, as part of the Comics Arts Conference a.k.a. Comic Arts Conference; and Wizard World Texas, the Wizard World University Texas academic meetings in Arlington, Texas, near Six Flags Over Texas, with Phil Hester (Green Arrow and Clerks with Kevin Smith), Jason Henderson (The Sword of Dracula, Dracula Wars #1), Ben Templesmith (30 Days of Night with Steve Niles, Fell), Jacen Burrows (Crossed with Warren Ellis, Garth Ennis), Ethan Van Sciver (Green Lanter).
Keywords: Webcomic webcomics cartoon cartoons all-ages family entertainment comics comic books comic strips sequential art quirky humor funny furry fun anthropomorphic animals satire comedy science fiction fantasy historical history pseudohistorical pseudohistory.

 

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Action Flick Chick


 

SEX AND THE CITY: THE MOVIE

I wouldn't if I were you
I know what she can do
She's deadly man, she could really rip your world apart
Mind over matter
Ooh the beauty is there but a beast is in her heart

Oh oh here she comes
Watch out boy she'll chew you up
Oh oh here she comes
She's a maneater

- Hall & Oats, “Maneater”

This is the true theme song for Sex and the City. Here we see four maneaters out stalking their prey trying to find the perfect one to pounce. I’m going to use code words for the characters and you guys can see if you can decipher which of them I’m talking about. The movie starts off with Foot Face walking down the street with a huge flower keeping her company on her shoulder. There was some kind of narration going on but I wasn’t listening, I was distracted by the fact that a foot was walking around the streets wearing clothes. Who knew?!? The maneating starts off pretty early in the movie with Foot Face looking for an apartment and keeps up pretty consistently throughout. You will not be disappointed. Really! Am I the only girl who doesn’t see men as worthless individuals and only good for one thing? Now, I understand that some people liked to watch the series for the dirty stuff, but the movie is lacking in that area. Sex and the City turned into just The City. Booooo. The movie actually focused on some plot instead of the usual sexploits.

Time until Maneating action: ~ 7 minutes

Best Maneating line: Foot Face is talking to her prey saying, “You’ll be my manfriend.” He replies, “Sounds like a dog.” Then she replies, “Hey, if the shoe fits…”

Best Hunting Sequence: After Foot Face gets dumped on her wedding day (whoops spoiler alert), she, Skeletor McGiraffe Neck, and Prudy McGee get into a limo and start off down the street. They notice the limo of the guy who just did the dumping. They all get out of the car and chase down the car of the man. Foot Face attacks first by opening the door and catching their prey off guard bombards him with flowers to the face. She goes crazy on him yelling and screaming and hitting him. Then she turns to hug Prudy McGee. The guy tries to go after her and Prudy McGee bows up like a mamma bear protecting her cubs and warns the guy to stop and leave them alone, which he does. I wouldn’t mess with that batch of grizzly bitches either.

Best Castration Sequence (yes, best- indicating that there are more than one): Skeletor McGiraffe Neck and her husband are finally doing the dirty dance after a long dry spell of about…oh, I’d say a billion years. Right before Skeletor McGiraffe Neck is about to visit the big firework show, the husband wants to switch positions. She so elegantly says, “Let’s just get it over with!” The air went out of his tires faster than a fly fart after McGiraffe Neck said that. It was like a couple about to spend some “quality time” together trying to turn on some grownup movies, but accidentally turning on “A Baby Story” right when the woman is giving birth. You wouldn’t be able to pump up the tires with all the air in the world after seeing something like that.

Rating: 0 Foot faces, out of 5 (Remember, this is based on the amount of action. Even though there is a lot a maneating, it is not enough to be considered action. However, we want to show the picture for the rating even though it gets a big fat zero.)

 


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© 2008 Rocket Llama World Headquarters, LLC.  © 2008 Rocket Llama World Headquarters, LLC. All rights reserved. 

The Ongoing Adventures of Rocket Llama[1] is a webcomic starring "a high-flying llama, a sword-swinging cat, and a rocket as loyal as a cowboy hero's horse."[2] Created by Alex Langley while he was a student at Henderson State University, the comic first appeared in a comic book titled The Workday Comic. For the Workday comics anthology, a spin-off of Scott McCloud's 24-Hour Comics, comics creators each wrote and drew their own eight-page stories in eight hours in April, 2007, on Friday the 13th[3], which turned into an ongoing publication.[4]  Co-presenting with comics author and scholar Danny Fingeroth (Dazzler, Spider-Man, Superman on the Couch), the creators described the webcomic's evolution as members of a Comics Arts Conference panel at 2008's Comic-Con International in San Diego, California.[5][6][7]  Contents [hide] 1 Debut  2 Webcomic  3 References  4 External links      [edit] Debut The full title of Rocket Llama's debut story in The Workday Comic #1 (spring, 2007) was "The Ongoing Adventures of Rocket Llama #112: 'Trouble in Paradise'".[8] The story introduced the taciturn hero Rocket Llama and his talkative sidekick, an anthropomorphic cat named Bartholomew Meowsenhausen, who find themselves stranded on an island after a battle with an enemy called Jetpack Dog. Spherical islanders capture them and then challenge them to combat. A villain named Böwser vön Überdog arrives with Jetpack Dog and, in a sudden Star Wars parody, summons a giant robot known as the Super Robot Dog Walker which blasts a volcano to bits. Before it can fire a second blast, Rocket Llama destroys it by getting it to swallow a pot of water and backfire. The story ends with Böwser tied up and the heroes using the giant robot dog head as a boat to get themselves home, with the promise of the next story to be titled, "Yuck! Yukon!"[9][10]  Whether despite the original story's childlike art or because of it, the Rocket Llama story proved to be the most popular in the 2007 anthology collection of the eight-hour comics.[11] After comic artist Stephen R. Bissette, an instructor at the Center for Cartoon Studies and comic book artist best known for his work on Swamp Thing with Alan Moore, read all of the stories in the first volume of The Workday Comic, he remarked, "That llama's gonna stick with me."[12]   [edit] Webcomic Nick Langley redrew the story with a less childlike drawing style in webcomic form for online publication[13] as the flagship title for the website rocketllama.com which grew into an affiliation of websites featuring webcomics, art, entertainment reviews, and scholarly studies of comics.[14] The online story featured a new cover[15] and omitted a one-page gag, a preview for an unrelated Stealth Potato comic, which had appeared as an intermission in the middle of the original story.[16] The original story also appeared online as the comic's "ashcan copy."[17]  The authors present the Rocket Llama stories metafictionally as the world's oldest comic book, established in 1916, which they allegedly rediscovered and are adapting into webcomics. "Deep underground, in an archaic vault we searched until we found the fabled tales. As both the current production team behind The Ongoing Adventures of Rocket Llama and appreciators of such groundbreaking literature, we have taken it upon ourselves to restore these classic issues to a glory more befitting a modern, digital age."[18]  Although every "issue" is presented with panels and screens in the correct order for each story, the issues are presented out of order as if readers were discovering old issues of a classic comic book in a seemingly haphazard order, however they come to find them. After the redrawn number 112's online publication came the serialized time travel story #136-137, "Time Flies When You're on the Run," appearing one page at a time throughout each week.[19][20] Special Rocket Llama Says bonus features appear only in "ashcan" form drawn by the original creator.[21]   [edit] References ^ Rocket Llama World Headquarters  ^ You are here.  ^ Waddles, Joshua. (2007, April 2). Comic book club puts in a full day's work. The Oracle vol. 99 (25), p. 3.  ^ Beard, Sarah. (2008, August 25). Comic Arts Club offers excitment. The Oracle, vol. 101 (1), p. 5.  ^ T. Langley & R. Duncan, panel moderators, with respondent Danny Fingeroth. (2008, July). "Capes and Tights, Caps and Gowns." Panel presented at the Comics Arts Conference, Comic-Con International. San Diego, California.  ^ Recent and Upcoming Research Presentations  ^ Pannell, E. (2008, July 27). Comic communication part of professors' classes. The Arkansas Democrat-Gazette, T-1, T-4.  ^ Page 1.  ^ The Workday Comic #1. Spring, 2007.[1]  ^ The Workday Comic - online edition.  ^ Sorrell, M. (2008, April 14).Club produces second annual workday comic. The Oracle, vol. 100.  ^ Quoted in "The Workday Comic: Not Just One Third of a 24-Hour Comic." Comics Arts Conference, Comic-Con International. San Diego, California. July 27, 2008.  ^ The Ongoing Adventures of Rocket Llama #112: "Trouble in Paradise." Script: Alex Langley. Art: Nick Langley.  ^ You are here.  ^ #137-Cover.  ^ Sneak Peak at Stealth Potato #75.  ^ Rocket Llama Ashcan Copy.  ^ Who Is Rocket Llama?  ^ "Time Flies When You're on the Run, Part 1." Script: Alex Langley. Art: Nick Langley.  ^ "Time Flies When You're on the Run, Part 2." Script: Alex Langley. Art: Nick Langley.  ^ e.g., "Tanks a Lot." Rocket Llama Says #8. Script and art: Alex Langley.